Publications – Luiz Naveda

Naveda, L. (2017). Musical meter, movement and cultural roles: A comparison between different types of movement responses to music (Abstract). In Proceedings of the 25th Anniversary Conference of the European Society for the Cognitive Sciences of Music. Ghent, Belgium: Ghent University.

Itaborahy, L., & Naveda, L. (2017). Evaluation of associations between gender and dance/music movements (Abstract). In Proceedings of the 25th Anniversary Conference of the European Society for the Cognitive Sciences of Music. Ghent, Belgium: Ghent University.

Naveda, L. (2017). Topos.sonification: a set of tools for interactive exploration of motion capture data. In 13mo Encuentro de Ciencias Cognitivas de la Música. La Plata, Argentina: SACCoM.

Naveda, L., & Campos, C. G. (2016). Representações do patrimônio imaterial como estratégias cognitivas incorporadas. In Anais do XII Simpósio Internacional de Cognição e Artes Musicais. Porto Alegre, Brasil: ABCM.

Naveda, L. (2015). Music and dance representations at the crossroads of humanities and sciences. In A. Georgaki & G. Kouroupetroglou (Eds.), 2nd Annual International Conference on Humanities and Arts in a Global World. Athens, Greece: Athens Institute for educations and research - Atiner.

Marreiro, M., & Naveda, L. (2015). Dinâmicas de reaprendizado motor nas relações entre alturas e teclas do acordeom. In Actas del 12mo Encuentro de Ciencias Cognitivas de la Música. Buenos Aires, Argentina: SACCoM.

Martínez, I., Naveda, L., Damesón, J., Pereira Ghiena, A., Herrera, R., & Ordás, A. (2015). The individuality of metrical engagement: describing the individual differences of movements in response to musical meter. In M. Aramaki, R. Kronland-Martinet, & S. Ystad (Eds.), Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) (pp. 575–590). Marseille, France: The Laboratory of Mechanics and Acoustics.

Naveda, L., Martínez, I., Damesón, J., Javier, Pereira Ghiena, A., & Herrera, R. (2015). Methods for the analysis of rhythmic and metrical responses to music in free movement trajectories. In M. Aramaki, R. Kronland-Martinet, & S. Ystad (Eds.), Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) (pp. 248–262). Marseille, France: The Laboratory of Mechanics and Acoustics.

Naveda, L., Martínez, I., Damesón, J., Pereira Ghiena, A., Herrera, R., & Ordás, A. (2015). Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music. In M. Aramaki, R. Kronland-Martinet, & S. Ystad (Eds.), Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) (pp. 146–162). Marseille, France: The Laboratory of Mechanics and Acoustics.

Naveda, L. (2014). Topos toolkit for Pure Data: exploring the spatial features of dance gestures for interactive musical applications. In A. Georgaki & G. Kouroupetroglou (Eds.), Proceedings of the 40th international Computer Music Conference - 11th Sound and Music Computing conference. Athens, Greece: University of Athens.

Naveda, L., & Leman, M. (2013). Mapping idiomatic elements in the morphology of dance gestures: Meter, gender and cultural idiosyncrasies in the samba dance and music. In F. Shifres, M. Jacquier, D. Gonnet, M. I. Burcet, & R. Herrera (Eds.), Actas de ECCoM. Vol. 1 N1, “Nuestro Cuerpo en Nuestra Musica. 11o ECCoM” (Vol. 1). Buenos Aires, Argentina: SACCoM.

Naveda, L., & Leman, M. (2011). Hypotheses on the choreographic roots of the musical meter: a case study on Afro-Brazilian dance and music. In X Encuentro de Ciencias Cognitivas de la Música (Young Research Award). SACCoM-Sociedad Argentina para las Ciencias Cognitivas de la Música. Retrieved from http://www.saccom.org.ar/2011_xencuentro/premio/resultado.html

Vroman, L., Lagrange, T., & Naveda, L. (2011). Architecture Through motion: A vision on the matter of space. In EKSIG 2011 - International Conference 2011 of the DRS Special Interest Group on Experiential Knowledge. Farnham Castle, UK: Design Research Society.

Oliveira, J. L., Naveda, L., Gouyon, F., Leman, M., & Reis, J. P. (2010). Synthesis of Variable Dancing Styles Based on A Compact Spatiotemporal Representation of Dance. In IROS2010. Taipei. Retrieved from http://winnie.kuis.kyoto-u.ac.jp/RMEWS/

Naveda, L., Gouyon, F., & Leman, M. (2010). Modeling Musical Structure From The Audience: Emergent Rhythmic Models From Spontaneous Vocalizations In Samba Culture. In Proceedings of the 11th International conference on Music Perception and Cognition ICMPC10. Seattle: University of Washington.

Oliveira, J. L., Naveda, L., Gouyon, F., & Reis, J. P. (2009). Towards Human-Machine Sonic Interactions: Mapping Human Dance Gestures onto Robots. In L. Naveda (Ed.) (pp. 37–41). Ghent: Proceedings of the Second International Conference of Students of Systematic Muiscology SysMus09.

Naveda, L., Gouyon, F., Guedes, C., & Leman, M. (2009). Multidimensional microtiming in Samba music. In M. Pimenta, D. Keller, R. Faria, M. Queiroz, G. Ramalho, & G. Cabral (Eds.), Proceedings of the 12th Brazilian Symposium on Computer Music (Best Paper Award) (pp. 1–12). Recife: SBCM. Retrieved from http://compmus.ime.usp.br/sbcm/2009/

Naveda, L., Leman, M., & Gouyon, F. (2009). Accessing structure of samba rhythms through cultural practices of vocal percussions. In Á. Barbosa & X. Serra (Eds.), Proceedings of the SMC09-6th Sound and Music Computing Conference (pp. 259–264). Portugal: SMC.

Naveda, L., & Leman, M. (2008). Representation of Samba dance gestures, using a multi-modal analysis approach. In Proceedings of the 5th Enactive International Conference ENACTIVE 2008 (pp. 68–74). Edizione ETS.

Naveda, L., & Leman, M. (2008). Sonification of Samba dance using periodic pattern analysis. In Á. Barbosa (Ed.), ARTECH 2008. 4th International Conference on Digital Arts (pp. 16–26). Porto, Portugal: Universidade Católica Portuguesa.

Naveda, L. (2003). Estratégias curriculares na Licenciatura em Violão: mediações, projetos coletivos e projetos pessoais Estratégias curriculares na Licenciatura em Violão: mediações, projetos coletivos e projetos pessoais. In XII Encontro anual da ABEM. Florianópolis, Brazil: UDESC. Retrieved from http://www.abemeducacaomusical.org.br/Masters/anais2003/ABEM_2003.pdf

Naveda, L. (2003). O Timbre e o Volume Sonoro do violão: Uma abordagem experimental (The timbre and the loudness of the guitar: an experimental approach). In XIV Encontro da ANPPOM. Porto Alegre, Brasil: ANPPOM.

Naveda, L. (2001). Cognitive bases for actions on music education in the periphery of Belo Horizonte: an experimental approach on the student’s musical viewpoint). Universidade Federal de Uberlândia. Retrieved from http://www.abemeducacaomusical.org.br/anais.html

Marreiro, M., & Naveda, L. (2016). Relatório Dinâmicas de reaprendizado motor nas relações entre alturas e teclas do acordeom. Belo Horizonte: UEMG.

Naveda, L. (2011). Gesture in Samba: A cross-modal analysis of dance and music from the Afro-Brazilian culture (PhD thesis). Ghent University.

Naveda, L. (2009). Project proposal: Sysmus09 - Second International Conference of Students of Systematic Musicology. Ghent: Ghent University.

Leman, M., & Naveda, L. (2009). Spatial cognition of Samba and Charleston. Cognitive Processing, 10, S142–S142.

Naveda, L. (Ed.). (2009). Proceedings of the Second Conference of Students of Systematic Musicology. Ghent: Ghent University.

Naveda, L., Gouyon, F., & Guedes, C. (2009). Interactions between dance movements and music rhythmic structure - The case of groove in Samba (Report: Short-Term Scientific Mission). Ghent: IPEM/COST-SID. Retrieved from http://sid.soundobject.org/wiki/STSMs

Oliveira, J. L., Naveda, L., Gouyon, F., & Reis, L. P. (2009). Towards Human-Machine Sonic Interactions: Mapping Human Dance Gestures onto Robots. Porto, Portugal: COST-SID. Retrieved from http://sid.soundobject.org/wiki/STSMs

Naveda, L. (2006). Pequena Cancão dos Desencontros. Belo Horizonte, Brazil: Independent.

Naveda, L. (2002). The timbre and the loudness of the classical guitar: a acoustic and psychoacoustic approach (Master Thesis). UFMG, Belo Horizonte, Brazil.