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Coleção Alto Verão Caju Ameixa Cosmopolitana Fresh 2019.





EQUIPE TÉCNICA

Produção Executiva: @fernaandagomees @ifredsouza
Captação e Edição de Vídeo: @luiznaveda
Trilha Original: @luiznaveda
Direção Estilo: @ifredsouza @maylacristyan
Beleza: @carlagomes.beauty

MODELOS

Isadora Yan @isadorayann
Ana Luíza @ana_ldn
Helena Monteiro @helena_monteiro1
Babi Martins @babimartins10


AGRADECIMENTOS

@forme.accessories



Produção: Selletiva - Comunicação para Moda

This video is private.

Interactive Skirt at LE BALAI EST LA MÊME CHOSE QUE LE BALLET (April 2019)
Performance: Dudude Herrmann
Dancer, concept and music: Luiz Naveda
Skirt design: Natacha Lamounier

Interactive work realized at Accenta Fair in Ghent, Belgium in 2007.
The idea was a simple mapping between acceleration and instruments in a music sequence.

Work realized in pure PureData

Generating tacit knowledge through motion: A vision on the matter of space

Liselotte Vroman, Sint-Lucas school of architecture, Belgium
Thierry Lagrange, Sint-Lucas school of architecture, Belgium
Luiz Naveda, University of Ghent, Belgium

This paper aims to observe and bring forth the embodied experience of space, while an individual interacts through moving. This research project is about how architecture can be conceived, setting out from the embodied experience of space. There is main focus on dance, because of the level of spatial awareness and expression of the movements. The boundaries of architecture are explored by means of empirical methods. The experienced space is based on the subject's practice but can this embodied experience be handled and moulded by the architect, the so-called designer of spaces? Movements can be considered as an expression drawn from the embodied experience in a particular space. Techniques of movement analysis were used, in an attempt to capture this embodied experience through motion. Can the results of this assumption contribute to the design-based architectural thinking, through understanding the outcome of tacit knowledge represented from spatial visualizations? This is an ongoing research project and as such this paper concerns a work in progress. The goal comprises the development of an architectural implementation, with regards to the embodied experience of space in design.

More info:

http://www.sintlucas.analogousspaces.be/

Example of gesture analysis. See
Naveda, L. and Leman, M. (2009). A Cross-modal Heuristic for Periodic Pattern Analysis of Samba Music and Dance. Journal of New Music Research, 38(3):255--283.